Alfred Stieglitz Essay -- Biography Biographies Essays

Alfred StieglitzWorks Cited MissingAlfred Stieglitz was an influential photographer who spent his life conflict for the recognition of photography as a valid art form. He was a pioneering photographer, editor and gallery owner who played pivotal role in defining and shaping modernism in the United States. (Lowe 23). He took pictures in a time when photography was considered as only a scientific quirkiness and not an art. As the controversy over the art value of photography became widespread, Stieglitz began to fight for the recognition of his chosenmedium. This battle would last his whole life. Edward Stieglitz, father of Alfred, was innate(p) in Germany in 1833. He grew up on a farm, loved nature, and was an artist at heart. Legend has it that, independent and strong willed, Edward Stieglitz ran away from home at the age of sixteen because his mother insisted on upon starching his shirt after he had begged her not to (Lowe 23). Edward would later meet Hedwig Warner and they woul d have their first son, Alfred. Alfred was the first of six natural to his dad Edward and mom Hedwig. As a child Alfred was remembered as a boy with thick black hair, large dark eyes, pale fine skin,a delicately modeled mouth with a strong chin (Peterson 34). In 1871 theStieglitz family lived at 14 East 60th street in Manhattan. No buildings stood among Central Park and the Stieglitz family home. As Stieglitz got olderhe started to show interest in photography, posting every photo he couldfind on his chamber wall. It wasnt until he got older that his photographycuriosity begin to take charge of his life.Stieglitz formally started photography at the age of nineteen, during his firstyears at the Berlin polytechnic School. At this time photography was in itsinfancy as an art form. Alfred learned the fine arts of photography bywatching a local anaesthetic photographer in Berlin working in the stores dark room.After making a few pictures of his room and himself, he enrolled in aphotoc hemistry course. This is where his photography charge would begin.His earliest public recognition came from England and Germany. It began in1887 when Stieglitz won the first of his many first prizes in a competition.The judge who gave him the award was Dr. P.H. Emerson, then the most astray known English advocate of photography as an art (Doty 23). Dr.Emerson later wrot... ...raphers. At the turn of the century, a sassy class of creative individuals, called painter-photographer emerged. This chemical group fulfilled Stieglitz s dream for graphicphotography. Its presence provided the movement with individuals whowere trained in the established arts and who legitimized the artistic claims of pictorial photography by the item that they were willing touse the photographic medium. The very term painter photographer wasmade up in reference to Frank Eugene who worked simultaneously withStieglitz in media for a decade. Eugene attended a German fine artsacademy, and painted theatrical portraits of the United States. In 1889 hemounted a solo exhibition of pictorial photographs at the Camera Club ofNew York, which, pointedly, was reviewed in Camera Notes as paintingphotography (Norman 23). In conclusion Stieglitzs fight for photography developed into new ideas forfuture generations. He continued to make his own experiments and todefend the work of others also breaking new ground. The magazines heedited, like the galleries he founded, swiftly became high-octane points ofcontact between artist and public and a battleground for new ideas.