Visual Effects And Post Modernism In Logo Design Arts Essay

Visual Effects And Post Modernism In Logo Design Arts Essay The designing of logo is a particular aesthetic activity that is related to the special techniques under the modern cultural environment. An analysis of the special techniques used by modern designers reflects the fact that visual design devices are heavily influenced by new techniques, which in turn are impacted by the new features of life and thinking of the contemporary people. The visual effects of these works, as will be analyzed in the latter parts of this essay, imply that the influence of new notions and ideas concerning visual design are achieving profound impacts on the formation of designing philosophy of modern designers. It is as well an important trend of becoming a more complicated cultural phenomenon that is in turn impacting the aesthetic changes of the audience of logo designing as well (Bruner, J. 1990). In its very essence, the core of logo designing is the use of the most effective means to communicate with the audience about the needs, ideas as well as the effectiveness of the designing. To a large extent, such effectiveness is depended on the personal understanding of the visual effects by the designers. For many professional designers, they have to observe two aspects of things so as to achieve this effectiveness. On the one hand, they have to fully understand the inner mechanism of human beings in accepting visual information and on the other hand, they have to beware how designing can be effective in catching the attention of the audience (Bethel, E. et al 2003). It is only based on these two aspects that designing work can be regarded successful; otherwise it can not be possible to ensure the fidelity of the designing job. In many fields of designing, such as fashion design, mechanic design, architecture design or software design, designers have to pay attention to the combin ed effectiveness of these two aspects. In public facility design, since this type of design is closely related to the concentration of large audience, the visual designing problem seems to be more crucial for the success designing job. This essay will conduct a detailed analysis on the visual effects of logo design by observing the special techniques used. 2. Principles of visual design in logos By and large, the principles used in logo design reflects the peculiar needs to arouse the cultural feelings of the audience. That is to say, the purpose of logo design is to arouse up the cultural recognition of the audience toward a certain product or a certain idea (Tu, Zhuowen, Zhu, Song C. 2002). This is a cultural experience closely associated with the aesthetic feelings of the contemporary people, who, by being exposed to different visual effects in their busy life, have a strong aptitude to the understanding of colors and lights in the modern environment where different types of mass media are available in conveying these colors and lights. So, one of the major features of aesthetic feelings of modern people is their strong visual sense to recognize the implications of visual effectiveness. In logo design, for instance, both commercially and non-commercially, people can find some similarities related to the visual effectiveness and the implied significance represented by the colors and the visual effects. For instance, the double arches of MacDonald can be seen a best example to represent the relationship between the colors and the visual effects. So, by and large, this can be regarded as a special cultural aptitude of the people living at the contemporary time. Logo design necessarily involves the methods that help to popularize the influence of a product or an idea. It is important because it is believed by people to be the most effective and convenient way to make a brand or an idea better known to the public. A successful logo design can help the people know the implied feelings within the logo influence. In commerce, for instance, many famous brands in the world will are successful in designing an attractive logo that helps the business development and marketing expansion in the world, such as Coca Cola and Pepsi so and so forth. The success of a logo design is the combination of both artistic exhibition and idea promotion. This has been shown by many successful cases. To understand the function of visual design, we should first of all understand the influence of the artistic implication. That is to say, logo design should be guided by a conception that suits the specific culture and notion of the thing the logo represents. The behavior of artistic appreciation is in practice an activity of both ration and emotion. Thus, logo design should embrace the feelings, thinking, behavior and psychology of the audience. Based on this principle, logo design should be novel and unique. To achieve this, designers should analyze the psychological elements of the audience at the first place. Generally, to make a logo more attractive, creativity, fashion, individuality and aesthetics are the four major principles to be observed by logo (Lynch, Kevin. 1984). These are also the basic principles in visual designing problem too. I. Creativity Novel and creative thinking easily stimulates the attention and interest of the audience. This is the first important principle of logo design. Creativity comes from the careful observation of life and an imitation of peoples psychological tendency to accept the product. It is only through unique characteristic of the product can be attractive and creative. Take the following design for example: This is an advertisement of watchmaker IWC. In this design, we can see that bus straps have been comically fashioned from the striking images of IWCs Big Pilots Watch. The advantage of this design immediately attracts audiences by its novelty and creativity. People watching the advertisement all have the pulse to try the bus strap. In this way, the advertisement successfully stimulates the consumers psychological curiosity. II. Fashion The principle of fashion is not just to catch the attention of the audience. If so, anything that is colossal and unique would achieve this goal. To logo designers, fashion means the quality of meeting such psychological demand of the audience as curiosity and satisfaction. It also helps to create a novel environment that calls for the psychological recognition. III. Individuality This is another important feature of logo design. The feature of this principle lies in the uniqueness and novelty of ogos that emphasizes the recognition feelings of the audience. From the perspective of the consumer, only individuality can arouse their interest. Basically, it is only by individuality that audiences trust their tuition in choosing a certain products. IV. Aesthetics What logos represents is the aesthetic image of a product or an idea. This includes the images obtained from the different sense of feelings: hearing, touching, sight etc. This principle calls for the vivid aesthetic image of a product and improve the artistic taste of consumers. In the meanwhile, this also helps to build up a psychological satisfaction. Look at the following design: Obviously, the purpose of this designer is to highlight the hairstyle of the lady under the umbrella. Here, the half-transparent umbrella gives the audience an imagination beyond the picture itself. What they are strongly feeling is the aesthetic atmosphere that is hidden by the umbrella. In this way, the designer successfully conveys this feeling. 3. Visual effects and logo design Logo design, the purpose of which is to attract the attention of the audience, is in its nature a manifestation of the usage of visual effects to arouse the cultural feelings of the audience at large. This can be understood by many modern designers and artists. Take Barbara Kruger for instance, as a contemporary American conceptual artist, she is especially known for her fine art creation in logo designs that convey peculiar cultural sense. Many of her works are characterized by the combination of graphic design and short direct phrases. The advertisement of I shop, therefore I am can be seen as such an example: (Barbara Krugers I shop, therefore I am) Many of Krugers works are direct and are easy to evoke an immediate response. Her artistic style is most typically featured by the use of simple color combination of black and white. The short message that is stenciled on the image is often in white against a red background. The text and image used in the whole picture are unrelated for the purpose of creating anxiety, which, according to Kruger, reflects a kind of fear and uneasiness. Her representative video and film works include Pleasure, Pain, Desire, Disgust (1997) and Twelve (2004). By and large, logo design is a special artistic activity that needs deep understanding of visual effectiveness. Under the modern cultural environment, it is influenced by a series of complicated notions found in aesthetic, literary, political or social philosophy influenced by the creation of contemporary philosophy as well as the new belief of modern society. It has been regarded as the basis of the attempt to describe the features of the modern intellectualism, which particularly focuses on the use of visual device in designing. Culturally, logo design can be seen as a special way by which artists expose their life style as well as their special understanding of art influenced by new philosophical and conceptual development started by modern thinkers. So, in modern logo designing works, such terms as appropriation, humor (other people may use parody, irony or playfulness to refer to this special attitude of dealing with the creation of contemporary art), deconstruction, simulacra, self-reflexivity, eclecticism (or pluralism), pastiche and inter-textuality are what people can find to refer to the characteristics of modern art, which can be seen as specifically impacted by the visual effects of logos designed specifically to achieve concrete purposes. 4. Post-Modernism reflected by visual effects in logo design Visual effectiveness in logo design particularly reflected the post-modernistic perspective in artistic design. Modern critics agree that postmodern artists reject the notion of the fixed, objective nature of a piece of art (Hatuka, Tali, DHooghe, Alexander. 2007). According to this belief, all that is left in postmodern art is difference. Influenced by various sources of philosophical ideas triggered by the revolution of technological innovation, each person in this new age shapes his or her own concepts of reality. Reality, then, becomes a human construct that is shaped by each individuals dominant social group. There exists no center or authority, nor one lone, encompassing objective reality, but as many realities as there are many different individuals with different ways of life and different ways of thinking (Derntl, M., Motschnig-Pitrik, R. 2008). The interpretations by different people are different. No one has a claim to absolute truth; therefore, tolerance of each others p oints of view becomes the postmodernism maxim. As we know, postmodernism is also characterized by the color of the new age, which is featured by the application of modern technological innovation of and language of art creation. Take LaChapelles designing works for instance; if we have a careful look at his Elton John at Home (1997), we can roughly get a clue. In this piece of art, we can be touched by a strong tendency of expressing the chaos in modern family life. Is this a feature of life attitude perceived by the artist? At least, the brightness of the back color can give us a hint. In the picture, it seems that the pealed bananas and the falling apples can not be clearly distinguished as house decorations or the real objects in life. The existence of wild beasts in the house also seems to hint that the core concepts of family life are different from what have been traditionally accepted, or at least there have occurred significant changes. So, on the whole, the post-industrial influences to the life style of modern people ca n be clearly felt in this picture. The fast pace, the bewilderment of modern people are what dominate the characteristics of his artistic creation. (Elton John at Home by David LaChapelle) Postindustrial influence is also reflected in the various sources of impacts triggered by the innovation of technologies, say, the over-complicatedness or over-simplification of images which are made convenient by the adoption of computer technology. The design work of Barbara Kruger best illustrated such a method. In her trademark design, the large-scale photographic works usually cause people think of the post-industrial cultural images which are processed by the use of modern machinery technology (Nelson, H. G., Stolterman, E. 2003). In her 1989 work Your Body Is a Battleground), for example, she employed an oversized image of a models face and divided it into sections, giving the audience a strong visual impact. (Barbara Krugers Your Body is a Battleground) From these cases we can find the fact that logo designing is not an isolated cultural activity of human behavior in aesthetics. On the contrary, logo design at the contemporary cultural context reflects the cultural impacts of the human society as well as the new changes in aesthetic experiences of the modern world. The logo design for both commercial and non-commercial purposes reflect the particular cultural features of the contemporary time. Without the deep understanding of these features, one is not able to fully understand the essence of the specific visual effects of the logo design at the contemporary time (Bevir, Mark. 2000). 3. Conclusion By and large, logo design at the present time is a special artistic activity that reflects the cultural influence of the contemporary time. It specifically pursue the effectiveness of visual stimulation to the sense of sight of the human beings. In logo design, people can find the special feelings conveyed by the usage of various types of visual images. These images can be seen as the products of philosophical meditation of the modern people who have been influenced by the new ideas in life and in thinking. So, in this sense, logo design is not an isolated activity. On the contrary, it is an activity that is closely related to the aesthetic feelings of human race at the present time. It is as well the product of the aesthetic meditation by modern designers as well.

The Return: Shadow Souls Chapter 20

Elena had seldom felt such relief as she did when she heard Damon's knock at Dr. Meggar's door. â€Å"What happened at the Meeting Place?† she asked. â€Å"I never made it there.† Damon explained about the ambush, while the others covertly studied Sage with varying degrees of approval, gratitude, or sheer lust. Elena realized that she'd had too much Black Magic when she felt ready to pass out at several points – although she was sure that the wine had helped Damon to survive a mob attack which might otherwise have killed him. They, in turn, explained Lady Ulma's story as briefly as possible. The woman was looking white and shaken by the end. â€Å"I do hope,† she said timidly to Damon, â€Å"that when you inherit Old Drohzne's property† – she paused to swallow – â€Å"that you'll decide to keep me. I know the slaves you brought with you are beautiful and young†¦but I can make myself very useful as a needlewoman and such. It's just my back that's lost its strength, not my mind†¦.† Damon was perfectly still for a moment. Then he walked over to Elena, who happened to be closest to him. He reached up, unclasped the last loop of rope that had been trailing from Elena's wrist, and threw it hard across the room. It whipped and wiggled like a snake. â€Å"Anyone else wearing one can do the same thing, as far as I'm concerned,† he said. â€Å"Except the throwing,† Meredith said quickly, seeing the doctor's eyebrow clashing as he looked at the many breakable glass beakers stacked along the walls. But she and Bonnie lost no time in losing any final vestige of rope that was still trailing. â€Å"I'm afraid mine are†¦permanent,† Lady Ulma said, pulling the fabric away from her wrists to expose the welded-on iron bracelets. She looked ashamed at being unable to obey her new master's first command. â€Å"Do you mind a moment of cold? I have enough Power to freeze them so they'll shatter,† Damon said. There was a soft sound from Lady Ulma. Elena thought she had never heard such desperation in any one human noise. â€Å"I could stand in snow to my neck for a year to get these awful things off,† the Lady said. Damon put his hands on either side of one bracelet and Elena could feel the rush of Power that emanated from him. There was a sharp cracking sound. Damon moved his hands and came up with two separate pieces of metal. Then he did it again, on the other side. The look in Lady Ulma's eyes made Elena feel more humble than proud. She had saved one woman from terrible degradation. But how many more remained? She would never know, or be able to save them all if she found out. Not with her Power in the state it was now. â€Å"I think Lady Ulma really ought to get some rest,† Bonnie said, rubbing her own forehead under tumbled strawberry curls. â€Å"And Elena, too. You should have seen how many stitches her leg took, Damon. But what do we do, go look for a hotel?† â€Å"Use my house,† said Dr. Meggar, one eyebrow up and one down. Obviously, he had become enmeshed in this story, swept along by its sheer power and beauty – and brutality. â€Å"All I ask is that you don't destroy anything, and that if you see a frog, don't kiss it, and don't kill it. There are plenty of blankets and chairs and couches.† He wouldn't take a single link from the heavy gold chain Damon had brought to use as income in exchange. â€Å"I†¦by rights I should help you all get ready for bed,† Lady Ulma murmured faintly to Meredith. â€Å"You're the worst hurt of all; you should get the best bed,† Meredith replied tranquilly. â€Å"And we will help you get into it.† â€Å"The most comfortable bed†¦that would be in my daughter's old room.† Dr. Meggar fumbled with a ring of keys. â€Å"She married a porter – how I hated to see her go. And this young lady, Miss Elena, can have the old bridal chamber.† For an instant Elena's heart was torn by conflicting emotions. She was afraid – yes, she was very sure it was fear she felt – that Damon might sweep her up in his arms and make for the bridal suite with her. And on the other hand†¦ Just then Lakshmi looked up at her uncertainly. â€Å"Do you want me to leave?† she asked. â€Å"Do you have anywhere to go?† Elena asked in turn. â€Å"The street, I guess. I usually sleep in a barrel.† â€Å"Stay here. Come with me; a bridal bed sounds big enough for two people. You're one of us, now.† The look Lakshmi gave her was one of sheer thunderstruck gratitude. Not at being given a place to stay, Elena understood. For the statement, â€Å"You're one of us, now.† Elena could feel that Lakshmi had never been â€Å"one of† any group before. Things were quiet until almost â€Å"dawn† the next â€Å"day,† as the city's inhabitants called it, although the light hadn't varied all night. This time a different sort of crowd had gathered outside the doctor's complex. It was mostly made up of elderly men wearing threadbare but clean robes – but there were a few old women, too. They were led by a silver-haired man who had a strange air of dignity. Damon, with Sage as backup, went outside the doctor's complex and spoke to them. Elena was dressed but still upstairs in the quiet bridal suite. Dear Diary, Oh, God, I need help! Oh, Stefan – I need you. I need you to forgive me. I need you to keep me sane. Too much time around Damon and I'm completely emotional, ready to kill him or to†¦or to – I don't know. I don't know!!! We're like flint and tinder together – God! We're like gasoline and a flamethrower! Please hear me and help me and save me†¦from myself. Every time he even says my name†¦ â€Å"Elena.† The voice behind Elena made her jump. She slammed the diary shut and turned around. â€Å"Yes, Damon?† â€Å"How are you feeling?† â€Å"Oh, great. Fine. Even my leg is b – I mean, I'm fine all over. How are you feeling?† â€Å"I'm†¦well enough,† he said, and he smiled – and it was a real smile, not a snarl twisted into something else at the last second, or an attempt to manipulate. It was just a smile, if a rather worried and sad one. Elena somehow didn't notice the sadness until she remembered it later. She simply suddenly felt that she weighed nothing; that if she lost grip on herself she could be miles high before anyone could stop her – miles away, maybe even as far as this insane place's moons. She managed a shaky smile of her own at him. â€Å"That's good.† â€Å"I came to talk to you,† he said, â€Å"but†¦first – â€Å" In another moment, somehow, Elena was in his arms. â€Å"Damon – we can't keep on†¦Ã¢â‚¬  She tried to pull away gently. â€Å"We really can't keep doing this, you know.† But Damon didn't let go of her. There was something in the way he held her that half terrified her, and half made her want to cry with joy. She forced back the tears. â€Å"It's all right,† Damon said softly. â€Å"Go ahead and cry. We've got a situation on our hands.† Something in his voice frightened Elena. Not in the half-joyful way she'd been fearful a minute ago, but entirely frightened. It's because he's afraid, she thought suddenly in wonderment. She had seen Damon angry, wistful, cold, mocking, seductive – even subdued, ashamed – but she had never seen him afraid of anything. She could hardly get her mind around the concept. Damon†¦frightened†¦for her. â€Å"It's because of what I did yesterday, isn't it?† she asked. â€Å"Are they going to kill me?† She was surprised at how calmly she said it. She felt nothing except a vague distress and the desire to make Damon not afraid anymore. â€Å"No!† He held her at arm's length, staring. â€Å"At least not without killing me and Sage – and all the people in this house, too, if I know them.† He stopped, seeming out of breath – which was impossible, Elena reminded herself. He's playing for time, she thought. â€Å"But that's what they want to do,† she said. She didn't know why she was so certain. Maybe she was picking up something telepathically. â€Å"They have†¦made threats,† Damon said slowly. â€Å"It's not the case of Old Drohzne really; I guess there are murders around here all the time and winner takes all. But apparently overnight word of what you did has been spreading. Slaves in nearby estates are refusing to obey their masters. This entire quarter of the slums is in turmoil – and they're afraid of what will happen if other sectors hear about it. Something has to be done as soon as possible or the whole Dark Dimension may just explode like a bomb.† Even as Damon spoke, Elena could hear the echoes of what he'd been told by the assembly who had come to Dr. Meggar's door. They had been afraid, too. Maybe this could be the start of something important, Elena thought, her mind soaring away from her own small problems. Even death wouldn't be too high a price to pay to free these wretched people from their demonic masters. â€Å"But that's not what will happen!† Damon said, and Elena realized that she must be projecting her thoughts. There was genuine anguish in Damon's voice. â€Å"If we had planned things, if there were leaders who could stay here and oversee a revolution – if we could even find leaders strong enough to do it – then there might be a chance. Instead, all the slaves are being punished, everywhere that the word has spread. They're being tortured and killed on mere suspicion of sympathy with you. Their masters are making examples all over the city. And it's only going to get worse.† Elena's heart, which had been soaring on a dream of actually making a difference, came crashing down to the ground and she stared, horrified, into Damon's black eyes. â€Å"But we've got to stop that. Even if I have to die – â€Å" Damon pulled her back in close to him. â€Å"You – and Bonnie and Meredith.† His voice sounded hoarse. â€Å"Plenty of people saw the three of you together. Plenty of people now see all three of you as the troublemakers.† Elena's heart went cold. Maybe the worst thing was that she could see from a slave economy's point of view that if one incident of such insolence went unpunished and word of it spread†¦the tale would grow in the telling†¦. â€Å"We became famous overnight. We'll be legends tomorrow,† she murmured, watching, in her mind, a domino toppling into another which hit another until a long string had fallen down spelling the word â€Å"Heroine.† But she didn't want to be a heroine. She had just come here to get Stefan back. And while she could have faced giving her life to stop slaves from being tortured and killed, she would herself kill anyone who tried to lay a hand on Bonnie or Meredith. â€Å"They feel the same way,† Damon said. â€Å"They heard what the congregation had to say.† He held her arms hard as if trying to brace her. â€Å"A young girl named Helena was beaten and hung this morning because she had a similar name to yours. She was fifteen.† Elena's legs gave out, as so often they had done in Damon's arms†¦but never for this reason. He went with her. This was a conversation you had sitting on bare floorboards. â€Å"It wasn't your fault, Elena! You are what you are! People love you for what you are!† Elena's pulse was hammering frantically. It was all so bad†¦but she had made it worse. By not thinking. By imagining that her life was the only one at stake. By acting before evaluating the consequences. But in the same situation she would do it again. Or†¦with shame, she thought, I would do something like it. If I knew that I would put everyone I loved in danger I would have begged Damon to bargain with that slave-owner worm. Buy her for some outrageous price†¦if we had the money. If he would have listened†¦If another stroke of the whip hadn't killed Lady Ulma†¦ Suddenly her brain went hard and cold. That is the past. This is the present. Deal with it. â€Å"What can we do?† She tried to pull free and shake Damon; she was that frantic. â€Å"There must be something we can do now! They can't kill Bonnie and Meredith – and Stefan will die if we don't find him!† Damon just held her more tightly. He was keeping his mind shielded from hers, Elena realized. This could either be good or bad. It might be that there was a solution he was reluctant to put to her. Or it could mean that the death of all three of the â€Å"rebel slaves† was the only thing the city leaders would accept. â€Å"Damon.† He was holding her much too tightly to get free, so Elena couldn't look him in the face. But she could visualize it, and she could also try to address him squarely, mind to mind. Damon, if there's anything – even any way we can save Bonnie and Meredith – you have to tell me. You have to. I order you to! Neither of them were in a mood to find that amusing or even to notice the â€Å"slave† giving orders to the â€Å"master.† But at last Elena heard Damon's telepathic voice. They say that if I take you back to Young Drohzne now and you apologize, that you can be let off with just six strokes of this. From somewhere Damon produced a pliant cane made of some pale wood. Ash, probably, Elena thought, surprised at how calm she was. It's the one substance equally effective on everyone: even on vampires – even on Old Ones, which they undoubtedly have around here. But it has to be in public so that they can get the rumors started the other way. They think then that the turmoil will stop, if you – the one who started the disobedience – will admit your slave status. Damon's thoughts were heavy, and so was Elena's heart. How many of her principles would she be betraying if she did this? How many slaves would she be condemning to lives of servitude? Suddenly Damon's mental voice was angry. We didn't come here to reform the Dark Dimension, he reminded her, in tones that made Elena wince away. Damon shook her slightly. We came to get Stefan, remember? Needless to say, we'll never have a chance to do that if we try to play Spartacus. If we start a war that we know we can't win. Even the Guardians can't win it. A light went on in Elena's mind. â€Å"Of course,† she said. â€Å"Why didn't I think of it before?† â€Å"Think of what before?† Damon said desperately. â€Å"We don't fight the war – now. I haven't even mastered my basic Powers, much less my Wings Powers. And this way they won't even wonder about them.† â€Å"Elena?† â€Å"We come back,† Elena explained to him excitedly. â€Å"When I can control all my Powers. And we bring allies with us – strong allies we'll find in the human world. It may take years and years but someday we come back and finish what we started.† Damon was staring at her as if she'd gone mad, but that didn't matter. Elena could feel Power coursing through her. This was one promise, she thought, that she would keep if it killed her. Damon swallowed. â€Å"Can we talk about – about the present now?† he asked. It was as if he had hit a bull's-eye. The present. Now. â€Å"Yes. Yes, of course.† Elena looked at the ash cane contemptuously. â€Å"Of course, I'll do it, Damon. I don't want anyone else hurt because of me before I'm ready to fight. Dr. Meggar is a good healer. If they allow me to come back to him.† â€Å"I honestly don't know,† Damon said, holding her gaze. â€Å"But I do know one thing. You won't feel a single blow, I promise you that,† he said quickly and earnestly, his dark eyes very big. â€Å"I'll take care of that; it'll all be channeled away. And you won't even see a trace of a mark by morning. But,† he finished much more slowly, â€Å"you'll have to kneel to apologize to me, your owner, and to that filthy, scrofulous, abominable old – † Damon's imprecations carried him away for a moment so that he lapsed into Italian. â€Å"To who?† â€Å"To the leader of the slums, and possibly to Old Drohzne's brother, Young Drohzne, as well.† â€Å"Okay. Tell them I'll apologize to as many Drohznes as they want. Tell them quick, in case we lose our chance.† Elena could see the look he gave her, but her mind was turned inward. Would she let Meredith or Bonnie do this? No. Would she allow it to happen to Caroline if by any means she could stop it? Again, no. No, no, no. Elena's feelings about brutality toward girls and women had always been exceedingly strong. Her feelings about the worldwide second-class citizenship of females had become remarkably clear since her return from the afterlife. If she had been returned to the world for any purpose, she had decided, helping to free girls and women from the slavery that many of them could not even see, was part of it. But this wasn't just about a vicious slaveholder and faceless oppressed women and men. It was about Lady Ulma, and keeping her and her baby safe†¦and it was about Stefan. If she gave in, she would be just an impudent slave who caused a small ruckus in the road, but was firmly put back into her place by authorities. Otherwise, if their party was scrutinized†¦if someone realized that they were here to release Stefan†¦if Elena was the one who caused the order to come: â€Å"Move him into stricter security – get rid of that silly kitsune-key thing†¦.† Her mind was ablaze with images of ways that Stefan could be punished, could be taken away, could be lost if this incident in the slums took on undue proportions. No. She would not abandon Stefan now to fight a war that could not be won. But she wouldn't forget, either. I'll come back for all of you, she promised. And then the story will have a different ending. She realized that Damon still hadn't left. He was watching her with eyes as keen as a falcon's. â€Å"They sent me to bring you,† he said quietly. â€Å"They never thought of a no for an answer.† Elena could briefly feel the fierce rage of his fury at them and she took his hand and squeezed it. â€Å"I'm coming back with you in the future, for the slaves,† he said. â€Å"You know that, don't you?† â€Å"Of course,† said Elena, and her quick kiss became a longer kiss. She hadn't really absorbed what Damon had said about channeling away the pain. She felt she was due just one kiss for what she was about to endure, and then Damon stroked her hair and time meant nothing until Meredith knocked at the door. The bloody-red dawn had taken on a bizarre, almost dreamlike quality by the time Elena was led to an open-air structure where the slumlords in charge of this area were seated on piles of once fine, now threadbare cushions. They were passing back and forth bottles and jeweled leather flasks filled with Black Magic, the only wine vampires could really enjoy, smoking hookahs and occasionally spitting into the darker shadows. This was regardless of the huge audience of street people dizzily attracted by word of a beautiful young human's public punishment. Elena had been rehearsed in her lines. She was marched, gagged, hands manacled, before the hawking and spitting authorities. Young Drohzne was sitting in somewhat uncomfortable glory on a golden couch, and Damon was standing between him and the authorities, looking tense. Elena had never been so tempted to improvise a part since her junior play, when she had thrown a flowerpot at Petruchio and brought down the house in the last scene of The Taming of the Shrew. But this was deadly serious business. Stefan's freedom, Bonnie's and Meredith's lives might depend upon it. Elena moved her tongue around inside her mouth, which was bone dry. And, oddly, she found Damon's eyes, the man with the stick, uplifting her. He seemed to be telling her courage and indifference without using telepathy at all. Elena wondered if he himself had ever been in a similar situation. She was kicked by one of her escorts and remembered where she was. She'd been loaned an â€Å"appropriate† costume from the discarded wardrobe of Dr. Meggar's married daughter. It was pearl-colored indoors, which meant it was mauve in the everlasting crimson sunlight. Most important, worn without its silken undershirt, its back plunged to below Elena's waistline, leaving Elena's own back completely bare. Now, in accordance with custom, she knelt in front of the elders, and bowed until her forehead rested on an ornate and very dirty carpet at the feet of the elders, but several steps lower. One of them spat on her. There was excited, appreciative chattering, and ribaldry, and thrown missiles, mostly in the form of garbage. Fruit was too precious here to think of wasting. Dried excrement, however, was not, and Elena found the first tears coming to her eyes as she realized what she was being pelted with. Courage and indifference, she told herself, not even daring to sneak a look up at Damon. Presently, when the crowd was felt to have had its due playtime, one of the hookah-smoking civic elders stood up. He read words Elena couldn't understand from a creased scroll. It seemed to go on forever. Elena, on her knees, with her forehead against the dusty carpet, felt as if she were smothering. At last the scroll was put away and Young Drohzne leaped up and described in a high, almost hysterical voice, and flamboyant language, the story of a slave who attacked her own master (Damon, Elena noted mentally) to tear herself free of his supervision, and then attacked the head of his family (Old Drohzne, Elena thought) and his poor means of living, his cart, and his hopeless, impudent, slothful slave, and how all this had resulted in the death of his brother. To Elena's ears, at first, he seemed to be blaming Lady Ulma for the entire incident because she had fallen under her load. â€Å"You all know the kind of slave I mean – she wouldn't bother to wave away a fly walking across her eye,† he shrieked, appealing to the crowd, which responded with fresh insults and a renewed pelting upon Elena, since Lady Ulma wasn't there to punish. At last, Young Drohzne finished recounting how this bold-faced hussy (Elena) who, wearing trousers like a man, had caught up his brother's own ne'er-do-well slave (Ulma) and had carried away this valuable property bodily away (all by myself? Elena wondered ironically) and had taken her to the home of a highly suspicious healer (Dr. Meggar), who now refused to give her, the original slave, back. â€Å"I knew when I heard this that I would never see my brother or his slave again,† he cried, in the shrieking wail that he had somehow been able to maintain throughout the entire narrative. â€Å"If the slave was so lazy, you should have been glad,† a joker in the crowd called out. â€Å"Nevertheless,† said a very fat man whose voice reminded Elena irresistibly of Alfred Hitchcock's: the lugubrious delivery and the same pauses before important words, which served to make the mood more grim and entire business even more serious than anyone had heretofore thought. This was a man with power, Elena realized. The ribaldry, the pelting, even the hawking and spitting had fallen silent. The large man was undoubtedly the local equivalent of a â€Å"godfather† to these painfully poor residents of the slums. His word would be that which determined Elena's fate. â€Å"And since then,† he was saying slowly, crunching with every few words some irregularly shaped, golden-colored sweetmeat from a bowl reserved for himself, â€Å"the young vampire Damien has made reparation – and most generously, too – for all the property damage.† Here there was a long pause as he stared at Young Drohzne. â€Å"Therefore, his slave, Aliana, who started all this mischief will not be seized and put up for public auction, but will make her humble obeisance and surrender, here, and of her own will, receive the punishment she knows is her due.† Elena found herself dazed. She didn't know whether it was from all the smoke that had floated down to her level before curling away, but the words â€Å"put up for public auction† had sent a shock through her that almost led her to black out. She had had no idea that that could happen – and the pictures it brought to mind were extremely unpleasant. She also noticed her new alias, and Damon's. It was actually quite fortunate, she thought since it would be nice if Shinichi and Misao never heard about this little adventure. â€Å"Bring the slave to us,† the fat man concluded, and sat back down on a great pile of cushions. Elena was lifted off her feet and roughly marched upward until she could see the man's gilded sandals, and remarkably clean feet, as she kept her eyes down in the manner of an obedient slave. â€Å"Have you heard these proceedings?† The Godfather-type was still munching on his delicacies and a waft of breeze brought a heavenly smell to Elena's nose, and suddenly all the saliva she could ask for flooded to her dry lips. â€Å"Yes, sir,† she said, not knowing what title to give him. â€Å"You address me as Your Excellence. And do you have anything to add in your defense?† the man asked, to Elena's astonishment. Her automatic response of: â€Å"Why ask me, since it's all been fixed up beforehand?† was stilled on her lips. This man was somehow – more – than any of the others she had met in the Dark Dimension – in fact, in her entire life. He listened to people. He would listen to me if I told him all about Stefan, Elena thought suddenly. But then, she thought, regaining her normal level-headedness, what could he do about it? Nothing, unless he could do some good and turn a profit out of it – or gain some power, or take down an enemy. Still, he might make for an ally when she returned to level this place and freed the slaves. â€Å"No, Your Excellence. Nothing to add,† she said. â€Å"And you are willing to prostrate yourself and beg my forgiveness and that of Master Drohzne?† This was Elena's first scripted line. â€Å"Yes,† she said, and she managed to get through her prefabricated apology clearly and with just the hint of a gulp at the end. Up close she could see flecks of gold on the large man's face, in his lap, in his beard. â€Å"Very well. A penalty of ten ash rod strokes is laid upon this slave as an example to other mischief-makers. The punishment will be delivered by my nephew Clewd.†

The One Thing to Do for Task 2 Ielts Essay Samples

The One Thing to Do for Task 2 Ielts Essay Samples Therefore, many students and employees decide to acquire cheap essay rather than writing it themselves. Universities should continue to choose the best candidates for each course in accordance with their qualifications. In all portions of the IELTS exam, you need to try to demonstrate that you've got a wide understanding of English vocabulary, make sure that you write with correct spelling and prevent silly little grammar mistakes. This is just what you should do to ensure it is clear to the examiner what you consider the question and also lets them stick to the endeavor of your essay. The examiner is just interested in the degree of your English. An important distinction as you will notice below. Please be aware this report is significantly shorter than normal because there weren't any essay for improvement. You'll be surrounded by writing professionals throughout the plan of order placement, and after you opt to purchase essay and pick an allocated writer, things are likely to get even more exciting. General Task 1 questions are composed of 3 unique pieces. Talk about both views and provide your own opinion. Explore both these views and provide your own opinion. Explore both views and provide your opinion. I hope you are going to have an opportunity to stop by Australia again soon. This page contains all of the information and help you should do well. Advertisements serve a helpful function. My online IELTS Writing Practice Test will explain how to improve by a complete band score in only two days. Finding Task 2 Ielts Essay Samples Online Thank band for your feedback, we'll investigate and resolve the problem w ithin two days. Therefore, if you'd like to score band 7, you have to do the exact same. If you don't feel as if you have enough time to write essays by yourself, we will aid you, any instance of the day, seven days per week. You've outlined what it is you are likely to speak about and at the exact same time made your opinion very obvious. Especially the students who start the preparation at the 11th hour, they're people who usually fail so in the event that you don't wish to be one of them, then here are a few advice that you have to follow. Therefore, it takes into consideration the particular needs of the students. The learners will face the actual life situations and do mistakes and that's the best method of learning. As our group of writers is quite big, we always have free writers eager to bring a manageable and well-paid purchase. The Key to Successful Task 2 Ielts Essay Samples It is normal to read reports these days in the press about possible links to several health problems such as cancer. The world medical care system has been facing a great pressure because of frequent outbreaks of diseases. It not only refers to the absence of disease but also the ability to recover and bounce back from problems and other illnesses. Some people today say that the very best approach to improve public health is by in creasing the variety of sports facilities. Prices change all of the time, but everybody can consider the ads in the newspaper and see what the hottest prices are. By watching advertisements on TV it's simple to discover about new improvements to all types of goods. Smoking is banned in some specific places so mobile phone ought to be banned like smoking. And, the time that it took to gather all this to find prepared for a trip. Needless to say, adults dwelling in the identical house might have very different eating habits also. Busy parents don't have enough time to check at each item on the shop shelf, so without advertising they may not know about such a convenient new item. Whispered Task 2 Ielts Essay Samples Secrets This is because of the gain in the on-line communication channels. Communication is the action of transferring information from 1 source to another. Each communication involves no less than a sender, a receipt, and a message.

Experiment And Observation Conducted By Shelly Harryman

Preschool Observation This paper is a report of experiment and observation conducted by this writer Shelly Harryman. The date and time of observation was November 9, 2017, between the hours of 4:00 pm and 5:00 pm. The subject s name is in the experiment are Deegan Harryman, who is a 6-year-old and Jay Harris, who is is a 10-year-old. The following information will provide a detailed analysis of the what cognitive developmental stage each child is in and why those levels determine the response each child gives. The information in this paper will reflect my personal observation and refer to the text Development Through the Lifespan by Laura Berk 2014. Location For the purpose of these experiments, my main living room was the location†¦show more content†¦Deegan confirmed both glasses had the same amount of water. I then poured water from one glass into the tall skinny glass and moved it next to the other glass I had not touched. When asking Deegan which one had more, he pointed to the tall skinny glass. He explained that the tall skinny glass had water â€Å"up to hear†. After that, I poured the water from the tall skinny glass back into its original container and repeated my question of which had more. Deegan responded they both had the same. This same process was repeated for Jay. However, Jay responded that there was no change to the amount of liquid and that only the containers were different. Area Conservation Task To examine the area of conservation, I used two identical balls of clay. Deegan confirmed that the balls were identical. I then rolled one out into a hotdog shape and asked â€Å"does this clay have more (pointing to the clay ball), does this clay have more (pointing to the hotdog shape), or do they have the same amount? Deegan stated that the hotdog shaped clay had more because it was longer. I then rolled the hotdog shape clay back into a ball and repeated the questioning of which one had more. Deegan stated they had the same again. I did the same experiment with Jay, but his responses were different than that of Deegan’s. Jay stated that the clay was equal despite one being rolled out into a hotdog shape. Jay stated that I â€Å"only changed the shape†. Number Conservation Task